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Aurélia Steiner (Vancouver) (1979)


Movies Detail of Aurélia Steiner (Vancouver) (1979)

✓ Title : Aurélia Steiner (Vancouver)
✓ Release Date : January 1st, 1979
✓ Runtime : 48 minutes
✓ Director : Marguerite Duras
✓ Writer : Marguerite Duras
✓ Cast : No Casts Available

Synopsis of Aurélia Steiner (Vancouver) (1979)

Based on the letters of a fictitious poetess to her lover. Duras reads extracts from the letters, about the poetess’s Jewish past, while the film shows stark waves beating against the seashore. – BFI




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Aurélia Steiner (Vancouver) 720P Streaming - A futuristic storyline dealing with people who have been physically or mentally enhanced with cybernetic components, often featuring cyborgs or the singularity as a major theme, and generally somewhat cynical or dystopian (hence the "punk" portion of the name). This is often confused or placed with Techno-thriller, which is actually a separate and less specialized genre.

Aurélia Steiner (Vancouver) List Of Movies - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.

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Aurélia Steiner (Vancouver) Movie Watch List - exploits or requires as plot devices or themes some contradictions of the commonplace natural world and materialist assumptions about it. It includes the traditional ghost story. The Turn of the Screw by Henry James is an example of a work of literary fiction that is also largely concerned with supernatural fiction elements, making play of the possibility that they are psychological at root, but requiring the option that they are not for effect. The newer speculative fiction genres of horror fiction and fantasy fiction, growing out of some of the basic propositions and generic conventions, to a certain extent replaced it.

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